
Tryin' ta hide from me and shit. Why I oughtta!



As I've been gear purging to beat the band, maybe literally, because fuck those guys. Am I right?
Wait, what was I saying?
Oh, right, finally sold enough stuff to buy what I'm telling everybody is "my last pedal ever." Barring a lottery win, that's probably true. I've got more boosts than I know what to do with, despite the purge, and all that was missing was that little something to get me just a touch closer to "just fucking record it."
Enter, the Broughton Audio Resonant Filter Equalizer. The controls aren't exactly what you'd think up front. The high pass and low pass are what you'd think. A gentle rolloff of -12db at the frequency you specify that's always on when the pedal is on. The -3 to +15 knob above them is actually a separate cut/boost on top of the always on -12db rolloff. So you can cut at a frequency, then boost or cut specifically at that frequency to either knock it back further, or put a little something back without adding in frequencies you don't want. If you dig scoop? Roll around 110 and around 6-7K and boost the piss out of both. That mid frequency boost/cut (-15/+15) can help you further shape things.
I set up just to get me "what do I wanna hear on the monitor when recording" for this particular tuning. Loosely, since I didn't bother with a mix this morning. Definitely getting me in the ballpark of "scoopy sounds like shit" that I dig, but this time without the flubbery flubbedy flub on the bottom, and without the rats nest at the top that comes with boosted signals. BTW, this is just DSL->loop->Pedal->out to the Mesa cab from one of my DSLs. Certainly changes the nature of the gain structure. Here's where I ended up set: Clip:
https://theleehousehold.com/mp3/TestingRFE.mp3
One round of the Sad But True riff without the pedlulz. One with. Then a stereo/two take image. Sounds a little empty without that low end flub, but that'll be plenty of room for a bass. Really dig the stereo image.
Begin manpile here:
