One of them goes to the interface (top one), one of them takes the mic output (bottom one) and a cat5 / ethernet cable connects them. Can take four mics that way. Works well since in the new place I have room to set up the amps in another room, far enough away to not be screaming in my ears the whole time I'm recording, and I don't have to keep a whole bunch of cables strung between rooms the whole time. Just one instrument cable, and one network cable, easily would up when not is use.
First time ever mic'ing up a bass amp for my recordings. I may need to work on mic positing a bit there, but it ain't bad for a first shot.
Da clip:
https://theleehousehold.com/mp3/GallopyBullshit.mp3
Les Paul Studio into the DSL into the Mesa cab, boosted by Keely SD-1 on the left, Metalzone on the right. M160 in the grill dead center on the speaker.
Jazz Bass into the Darkglass amp, MD421 a few inches out from one of the big speakers, close to centered on the speaker. Maybe just a touch off to one side. Just set levels in the DAW and let her buck. Listening on my living room system, I'd say I need to thin the drums a bit.
Feels good to have the recording setup almost back to full speed. Still missing a chair at the recording desk and a couple accessories for the computer, but I'm gettin' there.
How's the new year going for the rest a ya reprobates?
that's fucking great man. The DSL sounds crushing!!! Marshall metal is my favorite type of metal tones 
it's instantly recognizable.
